These cities refuse to sit still. They shift, fracture, overwrite themselves — development, abandonment, memory, and speculation colliding across surfaces in flux.
Warped Space: Continuous Cities traces this instability across three sites: Hackney Wick (E3), the industrial periphery of Arles (F0URCH0N//ARL3S), and post-industrial Sinaia (MFN_SIN_106100).

At Camera, these sites don’t sit quietly beside each other — they press into one another until the room itself becomes a compressed urban fragment: part archive, part ruin, part construction site.

Photography refuses to behave. Images distort, stretch, fracture — folding into provisional architectures, caught somewhere between document and debris. They press against walls like temporary skins or collapse onto the floor like unstable ground.

This is not a clean urban narrative. It’s a working map — a drift across cities saturated with capital, debris, and leftover matter. A city you navigate physically, piece by piece, never fully grasping the whole